Deadline: 17.00 (GMT), Friday 5th January 2018. In the forty years since the release of Brian Eno’s Music for Airports the concept and aesthetics of ambient music have proliferated, influencing artists as diverse as Taylor Deupree, Steven Wilson, David Lynch and The Orb, infusing drone, microsound, minimalism and experimental electronic music as...Read more
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SOUND/IMAGE 2017 takes place this weekend at the University of Greenwich, 10th, 11th and 12th November. The Sound/Image colloquium explores the relationships between sounds and images, and the images which sounds can construct by themselves. Through a series of complementary strands – talks, screenings, loudspeaker orchestra concerts – we will bring together artists...Read more
Presented by Foundations for Emerging Technologies and Arts Overview: The FETA Prize in Sound Art was established in 2013 to promote a broad range of contemporary American sound and installation arts. Artists working within the sonic arts such as sound installation, sound sculpture, sound poetry, soundscape, robotics, net art and similar...Read more
KEAR Two-Week Electroacoustic Composer/Researcher Residency 2017-18 – Residency for SPRING 2018 APPLICATION DEADLINE: Midnight (Eastern Standard Time) Friday 17 November 2017 AWARD: Travel funding, housing, and stipend APPLY: complete the application STUDIO INFORMATION: visit website BGSUElectroacoustics welcomes applications for its fourth annual Klingler Electroacoustic Residency (KEAR) program. We seek a dynamic, innovative composer, researcher, or practitioner with...Read more
VISUAL-MUSIC & TRANSDISCIPLINARY FULLDOME EXPERIENCES A lecture by Ricardo Dal Farra Early experiments in visual-music were joining new technologies with an explosion of innovative explorations in creating new forms of art. Surfing between cinema, video-art, expanded and new media forms, 2D and 3D animation, sound art, concert or electroacoustic music,...Read more
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