DIY sonore : adaptation du sujet créateur – CEC

Les pratiques audio DIY mettent à l’honneur la vision unique et les besoins d’artistes individuels. Les implications sociopolitiques des pratiques DIY, la personnalisation d’objets, le partage et l’adaptation, et le développement de la conscience communautaire sont les thèmes abordés dans des articles portant sur les artistes DIY, leurs instruments, leurs intentions et leur approche artistique. (décembre 2016)

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Editorial
by jef chippewa
OPENING CLOSED DOORS: THE SOCIO-POLITICAL RAMIFICATIONS OF DIY PRACTICE
Repurposing the Compositional Experience: The Spring Guitar and a Kataba saw, a self-built « instrument as sound composition »
by Anatol Rivero Brito
DIY Instruments and White Label Releases
by Amit D. Patel
Fuck It, I’ll Do It Myself: Or, why on Earth would anyone start a sound art organization in Melbourne and call it JOLT?
by James Hullick
ACCOMMODATING INDIVIDUAL NEEDS: THE PERSONAL PERSPECTIVE ON DIY AND CUSTOM DESIGN
Making the Makestra: Repurposed, bio-electronic and 3D-printed instruments
by Jean-Michel Maujean and Cissi Tsang
Designing and Playing the Strophonion: Extending vocal art performance using a custom digital musical instrument
by Alex Nowitz
Unconventional Inputs: New/old instruments, design, DIY and disability
by Mat Dalgleish
SHARING, REPURPOSING AND COMMUNITY-BUILDING
Design and Appropriation in Open Source Computer Musical Instruments: A Case study of the Silent Drum
by Jaime Oliver La Rosa
A Voyage Around My Boilophone: A personal approach to playing and recording with a unique DIY electronic instrument
by Dave Ross
Bird, Monk, Train: Three approaches to a solar sounder workshop
by Peter Blasser
INTERVIEWS
Déesses de l’électricité DIY : Entretien avec les artistes de l’audio Stephanie Castonguay et Émilie Mouchous
by Esther Bourdages
Using Everything and the Kitchen Sink: Interview with Atlanta-based composer Klimchak
by Adam Scott Neal
A Unique Sensitivity to Sound: Interview with American composer and sound artist Maryanne Amacher
by Bob Gluck
WBAI Free Music Store and Dark, Dark Nights at the Electric Circus: Conversation with music theatre composer and producer Eric Salzman
by Bob Gluck
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[JTTP 2016] 19 Dec – Next broadcast on UNDAE! (Madrid)
http://facebook.com/events/1359476880738509[CALL] eContact! 19.3 — Light+Sound (deadline 31 Dec), w. Nicolas Bernier
http://econtact.ca/call.html

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